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Since “Lose Yourself,” Eminem has increasingly incorporated atonal, nasally hooks and grumpy-dad growls. But they lack build and pacing — crescendos come as randomly as a mad dog barking at a ghost. He mistakes architectural complexity for advancement. The raps are technical metal guitar solos that go nowhere. The flows are dazzling but lack the elasticity and playful wit of Eminem’s early brilliance. Albert Camus described a rebel as a “man who says no.” “MMLP2”³ is the sound of Eminem saying yes. In 2000, he was the monster. In 2013, he’s “friends with the monsters under his bed.” Marshall Mathers may still command a nation of millions, but he’s lost the ability to see their faces.

“Your image is no longer controlled by your ad agency or designers but by your customers and their relationship to you,” says tech marketing consultant Andy Smith, He’s co-author of “The Dragonfly Effect,” a sort of Frommer’s guide for navigating social media as an agent for change, “And if you screw up, you can no longer ignore it or pave it over with PR.”, Branding has been redefined by this mad scramble into social networking, but none of it’s a cakewalk, Bryan Kramer, a social media strategist with PureMatter in San Jose, says that “while going viral is the cherry on the top, you can’t force things to go viral; you can only make them as good as you can vintage large silk novelty scarf kitsch collectible ballet dancer girls dancing point shoes tutu waltz of the flowers purple lav and hope for the best.”..

Several character roles are both well cast and well played. Rich Matli makes the most of his role as loveable bully Big Jule; Stephanie Case is terrific as the unbendable Mission General Matilda Cartwright who cuts loose at the end; and Ron Dritz is sincere as Sarah Brown’s earnest Mission confidante and friend, Arvide Abernathy. But if there’s ever a song that is well past its expiration date, it’s the dreary “More I Cannot Wish You,” which Dritz has to sing. There are a couple of standout numbers — including the opening one, “Fugue for Tinhorns” (better known as “A horse right here”) sung by Nicely and two other gamblers, and “Sit Down, You’re Rockin’ the Boat,” which is both lively and exuberant as sung by Nicely and the male company members.

Palo Alto vintage large silk novelty scarf kitsch collectible ballet dancer girls dancing point shoes tutu waltz of the flowers purple lav Players, “Eurydice.” Jan, 16 through Feb, 1, By Sarah Ruhl, “This modern reinterpretation of the classic myth follows Eurydice’s adjustment to afterlife in the Underworld — and the unthinkable choices that follow.” Directed by Jeffrey Lo, Featuring Sarah Moser, Wes Gabrillo, Scott Solomon, Evan Michael Schumacher, Maureen O’Neill, Monica Ho and Monica Cappuccini, Lucie Stern Theater, 1305 Middlefield Road, Palo Alto, $31-$45 (discounts available), 650-329-0891 or www.PAplayers.org..

The Anti-Trafficking Faith Leader Coalition of San Mateo County, which has been meeting for two years to find an answer to the plight of commercially and sexually exploited people, many of whom are children, is sponsoring the event. “In Plain Sight,” produced and narrated by Natalie Grant, features six modern-day abolitionists as they battle sex trafficking across our nation. Traveling to six U.S. cities, the documentary opens the viewer’s eyes to what happening down the street “in plain sight.” Congresswoman Jackie Speier, D-Hillsborough, is honorary chairwoman of the event.


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